<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-16074199</id><updated>2011-04-22T06:01:02.767+01:00</updated><title type='text'>Books</title><subtitle type='html'>Hutnyk books</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>8</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-16074199.post-112600002789106199</id><published>2005-11-19T10:46:00.000Z</published><updated>2007-12-28T13:30:32.580Z</updated><title type='text'>CELEBRATING TRANSGRESSION</title><content type='html'>&lt;a href="http://photos1.blogger.com/blogger/4896/1501/1600/celebtrans.jpg"&gt;&lt;img style="margin: 0px 10px 10px 0px; float: left;" alt="" src="http://photos1.blogger.com/blogger/4896/1501/320/celebtrans.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.berghahnbooks.com/title.php?rowtag=RaoCelebrating"&gt;CELEBRATING TRANSGRESSION&lt;br /&gt;Method and Politics in Anthropological Studies of Cultures&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;Editors: Ursula Rao and John Hutnyk&lt;br /&gt;&lt;br /&gt;A book in Honour of Klaus Peter Koepping&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Transgression is the stock in trade of a certain kind of anthropological sensibility that transforms fieldwork from strict social science to something more engaging. It builds on Koepping’s idea that participation transforms perception and investigates how transgressive practices have triggered the re-theorization of conventional forms of thought and life. It focuses on social practices in various cultural fields including the method and politics of anthropology in order to show how transgressive experiences become relevant for the organisation and understanding of social relations. This book brings key authors in anthropology&lt;br /&gt;together to debate and transgress anthropological expectations. Through transgression as method, as discussed here, our understanding of the world is transformed, and anthropology as a discipline becomes dangerous and relevant again.&lt;br /&gt;&lt;br /&gt;Not yet Published (Devember 2005)&lt;br /&gt;256 pages, bibliog., index&lt;br /&gt;ISBN 1-84545-025-6 Hb $48.00/£29.20&lt;br /&gt;&lt;br /&gt;Please send orders to:&lt;br /&gt;UK &amp; Europe : Berghahn Books, 3 Newtec&lt;br /&gt;Place,.Magdalen Road, Oxford OX4 1RE, UK&lt;br /&gt;Email : salesuk@berghahnbooks.com&lt;br /&gt;US &amp;amp; Outside Europe : Berghahn Books, 150&lt;br /&gt;Broadway, Ste 812, NY 10038, USA&lt;br /&gt;Email: salesus@berghanhnbooks.com&lt;br /&gt;Available from Berghahn Books&lt;br /&gt;&lt;br /&gt;This title and other selected titles are also available to order at 15 % discount from&lt;br /&gt;www.berghahnbooks.com&lt;br /&gt;http://www.berghahnbooks.com/title.php?rowtag=RaoCelebrating&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/16074199-112600002789106199?l=hutnykbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/112600002789106199/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16074199&amp;postID=112600002789106199&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112600002789106199'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112600002789106199'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/2005/11/celebrating-transgression.html' title='CELEBRATING TRANSGRESSION'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16074199.post-112801305210864521</id><published>2005-09-29T17:55:00.000+01:00</published><updated>2006-06-14T16:47:22.626+01:00</updated><title type='text'>Diaspora and Hybridity</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/4896/1501/1600/Book-Kalhoun.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/4896/1501/320/Book-Kalhoun.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;New Book&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="left" valign="top" width="100%"&gt;&lt;span class="ProdTitle" id="ctlBookDetailHeader_lblTitle"&gt;&lt;span style="font-weight: bold;"&gt;Diaspora and Hybridity&lt;/span&gt;&lt;/span&gt;&lt;span class="ProdTitle" id="ctlBookDetailHeader_lblTitle"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="ProdAuthored_Caption" id="ctlBookDetailHeader_lblAuthored_Caption"&gt;&lt;br /&gt;Authored by:&lt;br /&gt;&lt;/span&gt;&lt;table class="ProdAuthors" id="ctlBookDetailHeader_dlstAuthor" border="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;table class="ProdAuthors" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="ProdAuthors" width="40%"&gt;&lt;a class="ProdLink" href="http://www.sagepub.co.uk/author.aspx?aid=292130" target="_self"&gt;Virinder Kalra&lt;/a&gt; &lt;/td&gt;&lt;td class="ProdAuthors" width="60%"&gt;Ahmed Iqbal Ullah Race Relations Resource Centre, UK &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;table class="ProdAuthors" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="ProdAuthors" width="40%"&gt;&lt;a class="ProdLink" href="http://www.sagepub.co.uk/author.aspx?aid=592150" target="_self"&gt;Raminder Kaur&lt;/a&gt; &lt;/td&gt;&lt;td class="ProdAuthors" width="60%"&gt;University of Sussex &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;table class="ProdAuthors" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="ProdAuthors" width="40%"&gt;&lt;a class="ProdLink" href="http://www.sagepub.co.uk/author.aspx?aid=292129" target="_self"&gt;John Hutnyk&lt;/a&gt; &lt;/td&gt;&lt;td class="ProdAuthors" width="60%"&gt;Goldsmiths College, University of London &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;td align="right" valign="top" width="40%"&gt;&lt;!-- experiment with some links here --&gt;&lt;table align="right" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;!--&lt;td width="100%" align="right" height="1px"&gt;    &lt;a href="'HTTP://WWW.SAGEPUB.CO.UK/BookEmail.ASPX?pid="&gt;&lt;img alt="Email Page To Colleague" src="'HTTP://www.sagepub.co.uk/IMAGES/EmailColg.jpg'" border="0" /&gt;&lt;/a&gt;   &lt;/td&gt;--&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td align="right" height="1" width="100%"&gt;&lt;a href="http://www.sagepub.co.uk/printerfriendly.aspx?pid=106987&amp;ptype=B" target="_blank"&gt;&lt;/a&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td align="right" height="1" width="100%"&gt;&lt;a href="http://www.sagepub.co.uk/printerfriendly.aspx?pid=106987&amp;amp;ptype=B" target="_blank"&gt;&lt;/a&gt;&lt;a id="ctlBookDetailHeader_ctlBookLinks_lnkAdoption" href="http://www.sagepub.co.uk/IC/ICStart.aspx?pcode=106987" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="ProdWebDesc_Caption" id="ctlBookDetailMain_lblWebDesc_Caption"&gt;&lt;br /&gt;Description:&lt;/span&gt;&lt;span class="ProdWebDesc" id="ctlBookDetailMain_lblWebDesc"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;p&gt;What do we mean by 'diaspora' and 'hybridity'? Why are they pivotal concepts in contemporary debates on race, culture and society?&lt;/p&gt;&lt;p&gt;This book is an exhaustive, politically inflected, assessment of the key debates on diaspora and hybridity. It relates the topics to contemporary social struggles and cultural contexts, providing the reader with a framework to evaluate and displace the key ideological arguments, theories and narratives deployed in culturalist academic circles today. The authors demonstrate how diaspora and hybridity serve as problematic tools, cutting across traditional boundaries of nations and groups, where trans-national spaces for a range of contested cultural, political and economic outcomes might arise. &lt;/p&gt;&lt;p&gt;Wide ranging, richly illustrated and challenging, it will be of interest to students of cultural studies, sociology, ethnicity and nationalism.&lt;/p&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/16074199-112801305210864521?l=hutnykbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/112801305210864521/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16074199&amp;postID=112801305210864521&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112801305210864521'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112801305210864521'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/2005/09/diaspora-and-hybridity.html' title='Diaspora and Hybridity'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16074199.post-112550278682476167</id><published>2005-09-01T16:33:00.000+01:00</published><updated>2006-06-14T16:51:57.286+01:00</updated><title type='text'>BAD MARXISM</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/4896/1501/1600/BAD-MARXISM.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/4896/1501/320/BAD-MARXISM.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Bad Marxism: Capitalism and Cultural Studies, Pluto 2004&lt;/span&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span style="background: rgb(243, 243, 243) none repeat scroll 0% 50%; -moz-background-clip: initial; -moz-background-origin: initial; -moz-background-inline-policy: initial;"&gt;&lt;br /&gt;&lt;i style="font-weight: bold;"&gt;&lt;/i&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;     &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Arial;font-size:9;color:black;"   &gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;     &lt;p style="text-align: center;" class="MsoBodyText"&gt;'&lt;span style="font-style: italic;"&gt;Hutnyk packs more dynamite in his sentences than any   other writer I know&lt;/span&gt;.' Amitava Kumar, Penn State University&lt;br /&gt;&lt;/p&gt; &lt;p class="MsoBodyText"&gt;Cultural Studies commonly claims to be a radical discipline. This book thinks that's a bad assessment. Cultural theorists love to toy with Marx, but critical thinking seems to fall into obvious traps. / After an introduction which explains why the 'Marxism' of the academy is unrecognisable and largely unrecognised in anti-capitalist struggles, Bad Marxism provides detailed analyses of Cultural Studies' cherished moves by holding fieldwork, archives, empires, hybrids and exchange up against the practical criticism of anti-capitalism. Engaging with the work of key thinkers: Jacques Derrida, James Clifford, Gayatri Spivak, Georges Bataille, Homi Bhabha, Michael Hardt and Toni Negri, Hutnyk concludes by advocating an open Marxism that is both pro-party and pro-critique, while being neither dogmatic, nor dull.&lt;br /&gt;&lt;/p&gt; &lt;p class="MsoBodyText"&gt;Pluto Press 2004&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/16074199-112550278682476167?l=hutnykbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/112550278682476167/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16074199&amp;postID=112550278682476167&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550278682476167'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550278682476167'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/2005/09/bad-marxism.html' title='BAD MARXISM'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16074199.post-112550272105861110</id><published>2005-08-31T16:37:00.000+01:00</published><updated>2005-08-31T16:53:56.233+01:00</updated><title type='text'>Critique of Exotica</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/4896/1501/1600/image006.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://photos1.blogger.com/blogger/4896/1501/400/image006.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-size:10;color:black;"  &gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;      &lt;h3 style="color: rgb(255, 255, 255);"&gt;Critique of Exotica: Music, Politics and the Culture Industry&lt;o:p&gt;&lt;/o:p&gt;&lt;/h3&gt;       &lt;p style="color: rgb(255, 255, 255);" class="MsoNormal"&gt;London: Pluto Press, 2000 &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;       &lt;p style="color: rgb(255, 255, 255);" class="MsoNormal"&gt;&lt;span style=";font-size:10;" &gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;span style="color: rgb(255, 255, 255);" &gt;In this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. /What does it mean when Madonna dons a bindi or Kula Shaker incorporate sitar music in their music? When Cherie Blair wears a sari to a public dinner? When the national dish in the UK is chicken tikka masala? Is this a celebration of multiculturalism or cultural appropriation?/Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses 'world' music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/16074199-112550272105861110?l=hutnykbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/112550272105861110/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16074199&amp;postID=112550272105861110&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550272105861110'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550272105861110'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/2005/08/critique-of-exotica.html' title='Critique of Exotica'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16074199.post-112550262934586790</id><published>2005-08-31T16:35:00.000+01:00</published><updated>2006-10-11T10:25:59.416+01:00</updated><title type='text'>THE RUMOUR OF CALCUTTA</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/4896/1501/1600/calcutta.1.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://photos1.blogger.com/blogger/4896/1501/400/calcutta.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;THE RUMOUR OF CALCUTTA:&lt;br /&gt;&lt;h3&gt;    TOURISM, CHARITY, AND THE POVERTY OF REPRESENTATION &lt;/h3&gt;       &lt;p&gt;John Hutnyk 1996 Zed books, London. &lt;/p&gt; &lt;p&gt;An original study in the politics of representation, this book explores the discursive construction of a 'city of intensities'. &lt;/p&gt;       &lt;p&gt;The author analyses representations of Calcutta in a wide variety of discourses: in the gossip and travellor-lore of backpackers and volunteer charity workers; in writing - from classic literature to travel guides; in cinema, photography and maps. The book argues that Western Rumours of Calcutta contribute to the elaboration of an imaginary city which circulates in ways fundamental to the maintenance of an international order. &lt;/p&gt;       &lt;p&gt;Throughout, the focusis on the technologies of representation which frame tourist experiences of Calcutta, particularly Calcutta as an image site of decay. For example, volunteer charity workers' explanations of their experience fit into a framework which attributes blame locally. In this perspective tourist volunteers cannot acknowledge complicity in its own production of the city as a phantasmagoric space of poverty. Travellers visiting Calcutta are shown to be located in a place through which ideological and hegemonic effects are played out in complex yet coordinated ways which are to be analysed within the context of international privilege and domination. Here specific practices and technologies, of tourism, representation and experience, are intricately combined to reinforce and replicate the conditions of contemporary cultural and economic inequality. &lt;/p&gt;       &lt;p&gt;A provocative and original reading of both Heidegger and Marx, the book also draws up on writers as diverse as Spivak, Trinh, Jameson, Clifford, Virilio, Bataille, Derrida, Deleuze and Guattari. &lt;/p&gt;       &lt;p&gt;Available from Zed books&lt;br /&gt;  7 Cynthia Street, London N1 9JF&lt;br /&gt;  Tel 020 7837 4014 &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/16074199-112550262934586790?l=hutnykbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/112550262934586790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16074199&amp;postID=112550262934586790&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550262934586790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550262934586790'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/2005/08/rumour-of-calcutta.html' title='THE RUMOUR OF CALCUTTA'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16074199.post-112550387252242434</id><published>2005-08-30T16:56:00.000+01:00</published><updated>2005-08-31T17:00:00.630+01:00</updated><title type='text'>Travel Worlds</title><content type='html'>&lt;p style="color: rgb(255, 255, 255);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;img src="http://homepages.gold.ac.uk/hutnyk/tworld3" shapes="_x0000_s1026" align="left" border="0" height="96" hspace="4" vspace="2" width="63" /&gt;&lt;/span&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shapetype id="_x0000_t75" coordsize="21600,21600" spt="75" preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"&gt;  &lt;v:stroke joinstyle="miter"&gt;  &lt;v:formulas&gt;   &lt;v:f eqn="if lineDrawn pixelLineWidth 0"&gt;   &lt;v:f eqn="sum @0 1 0"&gt;   &lt;v:f eqn="sum 0 0 @1"&gt;   &lt;v:f eqn="prod @2 1 2"&gt;   &lt;v:f eqn="prod @3 21600 pixelWidth"&gt;   &lt;v:f eqn="prod @3 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @0 0 1"&gt;   &lt;v:f eqn="prod @6 1 2"&gt;   &lt;v:f eqn="prod @7 21600 pixelWidth"&gt;   &lt;v:f eqn="sum @8 21600 0"&gt;   &lt;v:f eqn="prod @7 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @10 21600 0"&gt;  &lt;/v:formulas&gt;  &lt;v:path extrusionok="f" gradientshapeok="t" connecttype="rect"&gt;  &lt;o:lock ext="edit" aspectratio="t"&gt; &lt;/v:shapetype&gt;&lt;v:shape id="_x0000_s1026" type="#_x0000_t75" alt="" style="'position:absolute;" allowoverlap="f"&gt;  &lt;v:imagedata src="http://homepages.gold.ac.uk/hutnyk/tworld3"&gt;  &lt;w:wrap type="square"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;!--[endif]--&gt;&lt;span style="font-size:85%;"&gt;Travel Worlds:&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;Journeys in Contemporary Cultural Politics&lt;/span&gt; &lt;/p&gt;   &lt;p style="color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:85%;"&gt;Edited by Raminder Kaur&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;and John Hutnyk&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;Zed books, London 1999.&lt;/span&gt; &lt;/p&gt;   &lt;p style="color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:85%;"&gt;Pb   ISBN      1 85649 562 0 Price  UK£13.95/US$22.50&lt;br /&gt;(see below for ordering details)&lt;br /&gt;  (cover photo Karoki Lewis)&lt;br /&gt;&lt;/span&gt;    &lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;Everyone's got a traveller's tale,&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;but TRAVEL WORLDS tells them with a sting:&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;African-American musicians head East for Kung-Fu kicks while&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;paedophiles go for cheap sex pilgrimage; Western bible-bashers adopt&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;missionary positions in India while  heroic Saint George signs on as&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;an Arab soldier in Britain; the scars of Partition mock the protocols&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;of transit, while nomadic insurgents resist the Bangladeshi nation&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;state with lyrical persuasion; Kula Shaker and Madonna trinketize the&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;'Orient' while dead tourists exchange values with travelling&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;'terrorists'; British Mirpuris and Black women travel back to the 'Old&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;Country' and beyond in ways that are not quite as they seem; and&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;ethnographers collide with tourists in the carousel of Goa's resorts.&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;Including poetry and fiction alongside academic essays, this book&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;refuses simplistic dichotomies of north/south and east/west and&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;confronts head on existing conventions of writing about travel in&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;post-colonial, literary and cultural studies. In so doing, it sheds&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;new light on:&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;- the shortcomings of border theories and nation-state parameters&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;- the politics of diasporic and transnational travels&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;- the relations between tourism and terrorism&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;- the limitations of 'alternative' tourism&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;TRAVEL WORLDS plots the politics of diverse journeys;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;      it is 'something of a travel guide,&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;      something of a hold-all backpack,&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;      and something of another compass'.&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center; color: rgb(255, 255, 255);" align="center"&gt;&lt;span style="font-size:85%;"&gt;`Travel Words dares you to embark on a variety of journeys&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;simultaneously-from magical-mystical tours that promise to fulfil the&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;private fantasies of jaded tourists and eager missionaries to new&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;journeys across old borders that have become terribly real by virtue&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;of being more psychological than territorial. This collection explores&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;exciting psycho-geographical spaces through journeys that somewhere&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;along the way become journeys into the self.' - Ashis Nandy.&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:85%;"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;span style="color: rgb(255, 255, 255);font-size:85%;" &gt;Ordering details:&lt;br /&gt;In Europe order from &lt;a href="http://www.zedbooks.demon.co.uk/index.htm"&gt;Zed books&lt;/a&gt;, 7 Cynthia St, London N1 9JF, UK&lt;br /&gt;tel +44 (0)171 837 4014/8466 email: FAROUK@zedbooks.demon.co.uk&lt;br /&gt;In Australia and elsewhere order from our friends at Manic Ex-Posuer: books@manic - &lt;a href="http://www.manic.com.au/"&gt;http://www.manic.com.au/&lt;/a&gt;&lt;br /&gt;In the US:  Order from St Martins Press, Scholarly &amp;amp; Reference&lt;br /&gt;Division, 175 Fifth Avenue, New York, NY 10010, USA&lt;br /&gt;tel (212) 982 3900/fax (212) 777 6359 Contact Peter Burrell email: peterburrell@stmartins.com &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/16074199-112550387252242434?l=hutnykbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/112550387252242434/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16074199&amp;postID=112550387252242434&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550387252242434'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550387252242434'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/2005/08/travel-worlds.html' title='Travel Worlds'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16074199.post-112550289753400017</id><published>2005-08-30T16:39:00.000+01:00</published><updated>2006-10-11T10:22:43.330+01:00</updated><title type='text'>Dis-Orienting Rhythms:</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/4896/1501/1600/disorient.0.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://photos1.blogger.com/blogger/4896/1501/400/disorient.0.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;h3 style="color: rgb(255, 255, 255);"&gt; Dis-Orienting Rhythms: the Politics of the New Asian Dance Music.&lt;/h3&gt;  &lt;span style="color: rgb(255, 255, 255);"&gt;eds Sanjay Sharma, John Hutnyk and Ashwani Sharma, 1996 Zed books.&lt;/span&gt; &lt;p style="color: rgb(255, 255, 255);"&gt;The image on the cover is from a Fun^Da^Mental album, Sieze the Time. &lt;/p&gt; &lt;p style="color: rgb(255, 255, 255);"&gt;Blurring the boundaries between academic and cultural production, this book produces a new understanding of the world significance of South Asian cultural production in multi-racist societies. It writes back the presence of South Asian youth into a rapidy expanding and exuberant youth scene; and celebrates this as a dynamic expression of the experience of South Asian lives with an urgent political consciousness. One of the first sustained attempts to situate such production within the study of race and identity, it uncovers the crucial role that contemporary South Asian dance musics - from Hip-hop, Qawwali and Bhangra through Soul, Indi and Jungle - have played in the formation of a new urban cultural politics. &lt;/p&gt; &lt;p style="color: rgb(255, 255, 255);"&gt;The book opens by positing new theoretical understandings of South Asian cultural representation that move beyond essentialist, outmoded and overdetermined accounts of ethincity in the cultural studies literature. Contributors then go on to narrate the formation of South Asian expressive culture coming out of the UK in a highly charged political context. Part three takes on the task of historical recovery, looking at the antecedents of political South Asian musical performance, autonomous anti-racist organising and problems of alliance with the white Left. The final part of the book engages with the movements and translations of cultural productions across the world, particularly in the fractured spaces of a postcolonial Britian in decline. In opposing all-too-easy 'world music' categorisations, the contributors also demonstrate throughout how the liberal alibi of multiculturalism can be challenged across the line of music and politics. &lt;/p&gt; &lt;p style="color: rgb(255, 255, 255);"&gt;The book as a whole points to more productive ways of undertaking cultural study, a pedagogy committed to constructing forms of political engagement that do not reduce popular culture to the scrutinised Other or simply celebrate new expressive cultures as fragmented and hybrid. *For* a Black politics - this book is required reading for students and academics in cultural studies and social theory; as well as for everyone engaged in anti-imperialist, anti-racist struggles.&lt;br /&gt;&lt;br /&gt;The image on the cover is from a Fun^Da^Mental album, Sieze the Time.&lt;br /&gt;&lt;/p&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;Dis-Orienting Rhythms is available from:&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Zed books&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;7 Cynthis St, London N1 9JF&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Tel. 0171 837 4014&lt;/span&gt;&lt;span style="color: rgb(51, 51, 51);"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/16074199-112550289753400017?l=hutnykbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/112550289753400017/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16074199&amp;postID=112550289753400017&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550289753400017'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/112550289753400017'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/2005/08/dis-orienting-rhythms.html' title='Dis-Orienting Rhythms:'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16074199.post-115333530844366888</id><published>2005-07-19T19:55:00.000+01:00</published><updated>2007-04-13T06:53:38.616+01:00</updated><title type='text'>Cheap copies of books at Pluto Summer Sale</title><content type='html'>&lt;a href="http://www.plutobooks.com/shtml/specialoffers.shtml"&gt;Welcome to Pluto Press&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.plutobooks.com/cgi-local/nplutobrows.pl?chkisbn=0745322662&amp;main="&gt;BAD MARXISM&lt;/a&gt;&lt;br /&gt;Capitalism and Cultural Studies&lt;br /&gt;John Hutnyk&lt;br /&gt;Publication Date: June, 2004 / Extent: 264pp / Size: DEMY (215x135mm)&lt;br /&gt;PB: 0745322662 -&lt;br /&gt;Discount offer: �&lt;strong&gt;10.99&lt;/strong&gt; - $17.00 - �16.00 View Cart&lt;br /&gt;Critical political analysis of how Cultural Studies has used and abused Marxism, offering a close reading of Derrida and Negri. "&lt;br /&gt;&lt;br /&gt;and&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a class="dd7" href="http://www.plutobooks.com/cgi-local/nplutobrows.pl?chkisbn=0745315496&amp;amp;main="&gt;CRITIQUE OF EXOTICA&lt;/a&gt;: Music, Politics and the Culture Industry&lt;br /&gt;John Hutnyk&lt;br /&gt;Publication Date: November, 2000 / Extent: 256pp / Size: DEMY (215x135mm)PB: 0745315496&lt;br /&gt;Discount offer:&lt;strong&gt; £5.00&lt;/strong&gt; - $9.25 - €7.50 Hutnyk challenges academic complicity in the reification of exotica, cutting through media hype to offer a critique of music, race,&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.plutobooks.com/shtml/specialoffers.shtml"&gt;http://www.plutobooks.com/shtml/specialoffers.shtml&lt;/a&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/16074199-115333530844366888?l=hutnykbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://hutnykbooks.blogspot.com/feeds/115333530844366888/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16074199&amp;postID=115333530844366888&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/115333530844366888'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16074199/posts/default/115333530844366888'/><link rel='alternate' type='text/html' href='http://hutnykbooks.blogspot.com/2006/07/cheap-copies-of-books-at-pluto-summer.html' title='Cheap copies of books at Pluto Summer Sale'/><author><name>john hutnyk</name><uri>http://www.blogger.com/profile/10555417858140395140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='16' src='http://bp2.blogger.com/_3pbZqadXvIE/R1Kx1tMoqTI/AAAAAAAAAv0/LCWGc6aRBHU/S220/IMG_5562-2.jpg'/></author><thr:total>0</thr:total></entry></feed>
